Dream To Seam – Agatha Ruiz de la Prada from modaCYCLE on Vimeo.

modaCYCLE’s Seth Friedermann sits down with famed Spanish designer Agatha Ruiz de la Prada for an in-depth interview about how she works. This is the second episode of the Dream To Seam series.

On December 28th, 2011, returning from visiting family in Virginia on an early flight, and having found myself recently intrigued by the collected writings of the artist Paul Gauguin, I was inspired to go to The Museum of Modern Art. These are my notes, scribbled into a miniature Moleskine notebook.

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Even when I have the latest equipment I feel constrained by the limits of the technology.

Even if I got some sort of digital Super IMAX 4D rig, I’m not sure I’d be happy.

Part of being an artist is being never really satisfied with your tools or your last piece. If we get happy we stop.

This is the first episode in a series we’ve started to produce for modaCYCLE, extended interviews called Dream To Seam.

Dream To Seam – Ralph Rucci from modaCYCLE on Vimeo.

Dream To Seam is an interview series from modaCYCLE. This episode features top American fashion designer Ralph Rucci.

I’ve been running the formal critique section of the forum on the Model Mayhem community site since it was started, and over the last few years I’ve identified several recurring issues. Here are my stock responses to some of the most common problems new and experienced photographers have. [...]

I think the vehement defense of sampling for commercial music without paying for copyright licenses is just an excuse to be lazy from people who aren’t creative or skilled enough to spoof the sounds they want to reference.

Decoration is a craft. Art is an anti-science. The pinnacle height of achievement in a craft is the perfect modification of a material into a vision. The pinnacle height of achievement in an art is the perfect modification of a vision into a metaphor. Some things can be both. Art cannot exist without craft. Craft cannot exist without art. Yet there is a vast difference from the goals of artists and craftspeople. Craft has a finite goal, the production of something tangible. Art has an infinite goal, the induction of something intangible. Craft relaxes. Art excites.

All art, like science, is hypothesis. There is an innate desire in humans to understand the world around them. Art is one attempt at an answer. Just as science seeks to find explanations through observation and experimentation, so does art.

It could be argued that science is an art. It could also be argued that art is a science. Whatever they are, they both involve testing ideas and looking for answers. They both involve curiosity.

Science is an art, in that creative leaps of faith are required to hypothesize. Science is nothing if not creative problem solving and a way of working to understand the universe.

Art is a science, in that when one is creating, one applies rules to carry out an experiment which might produce a result. In the process of the creation of a work, one tests these rules. Each choice is a rule. Are you going to use light blue for the sky? That’s a choice, a rule. You or someone else can later try another color and compare the results. Each work of art one starts is an experiment testing some hypothesis. The outcome is always uncertain. There are always unplanned results in complex rule systems. When the work is complete, both the final product and the memory of the process add to our knowledge of how things work.

Science and art are both linked at fundamental levels.