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	<title>Have Pentax, Will Travel &#187; writing</title>
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	<description>Charles Beckwith</description>
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		<title>Rainy Night</title>
		<link>http://blog.charlesbeckwith.com/2009/12/rainy-night/</link>
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		<pubDate>Thu, 03 Dec 2009 06:52:23 +0000</pubDate>
		<dc:creator>charles</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[modaCYCLE]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[I keep finding myself in a coffee shop at midnight or later. It is good to get out of the studio. Living in your workspace is a good thing and a bad thing. The bad part is that it's hard to get time away from your projects. So I go to this coffee shop and have pondering time...]]></description>
			<content:encoded><![CDATA[<p>I keep finding myself in a coffee shop at midnight or later. It is good to get out of the studio. Living in your workspace is a good thing and a bad thing. The bad part is that it&#8217;s hard to get time away from your projects. So I go to this coffee shop and have pondering time.</p>
<p>Usually I have a small notebook with me and scribble down notes for photos or stories or business plans. Sometimes I take a sketchbook and draw abstractly with 20 year old colored pencils. I did it with chalk for a while but that was too messy. I drink hot chocolate or hibiscus tea, sometimes a Peroni but not often.</p>
<p>Last night I took a stack of blank 3&#8243;x5&#8243; note cards with me and wrote the outline for a screenplay on 35 cards. I read a history book several years ago and the story has been bouncing around in my head ever since. I&#8217;m not sure I want to do the screenplay as historical, but maybe a fantasy. Not a direct translation, but something filtered through a lot of the other concepts in my head. I don&#8217;t know when I&#8217;ll find time to write it all out though. Maybe I will stick all the cards on a bulletin board so I can keep looking at it. The great thing about note cards is that the story becomes very modular. Typing the outline on a computer or writing it out by hand tends to lock scenes into a set sequence. With note cards you can shuffle the story a lot more easily, insert bits more easily. You can really work on it in a far more non-linear way. There is a note cards function built into <a  href="http://www.celtx.com/" target="_blank">Celtx</a>, but it&#8217;s just not the same.</p>
<p>So much going on with the online fashion magazine I&#8217;ve been editing, I don&#8217;t even have time to take pictures. In a way I&#8217;m glad because I needed to take a break and reevaluate my approach to fashion photography. I feel like a lot of what I was doing a year and a half ago was less than satisfactory for demonstrating my real intentions. I was shooting a lot of tests with available environments, when my real passion is creating total environments within an image. I want to be rendering idealized environments. THe guerilla photography thing just doesn&#8217;t do it for me. I&#8217;m thinking about building a standing set from theater flats in the middle of my studio that I can change easily, but it will mean devoting less time to modaCYCLE to get that accomplished.</p>
<p>My favorite modaCYCLE article so far was published last week, an <a  href="http://www.modacycle.com/2009/11/ari-fish-designer-interview/" target="_blank">interview</a> I did via email with an artist named Ari Fish, who was a contestant on <a  href="http://bloggingprojectrunway.blogspot.com/" target="_blank">Project Runway</a>. It&#8217;s unusual to see someone that interesting on television.</p>
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		<title>Nuclear Wynter, Part 1</title>
		<link>http://blog.charlesbeckwith.com/2008/10/nuclear-wynter-part-1/</link>
		<comments>http://blog.charlesbeckwith.com/2008/10/nuclear-wynter-part-1/#comments</comments>
		<pubDate>Thu, 09 Oct 2008 17:00:00 +0000</pubDate>
		<dc:creator>charles</dc:creator>
				<category><![CDATA[actors]]></category>
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